";s:4:"text";s:2954:" An ethnic Armenian in the multicultural atmosphere of Tbilisi, Georgia, he was one of the most innovative directors of postwar Soviet cinema. Sergei Parajanov Friday, February 7, 2020. In 1969 he made this film, based in part on the life of the 18th-century Armenian poet, Sayat Nova ('The King of Song'). Sergei Parajanov (January 9, 1924 – July 20, 1990) was a Soviet film director and artist of Armenian descent who made significant contributions to Soviet cinematography through Ukrainian, Georgian, and Armenian cinema. Sergei Parajanov (1924–90) flouted the rules of both filmmaking and society in the Soviet Union and paid a heavy personal price. Director Sergei Paradjanov made a practice of making highly idiosyncratic films based on the folklore of regions in the former Soviet Union. With Sergei Parajanov. Music & Literature is grateful to Tigran Mansurian for the opportunity to present this conversation for the first time in English. The Hong Kong International Film Festival Society will kick off its 2020 Cine Fan programme with more cinematic gems in its January/February edition, including the delicately sublime dramas of Naruse Mikio and the magical realism-infused romance of Sergei Parajanov. Directed by Ron Holloway. A man suited to expression but made to court contrition instead, the Georgian-born director Sergei Parajanov posed within his all-too-scarce filmography -- beginning with 1951's short "Moldavian Fairy Tale" and ending with 1988's "Ashik Kerib" -- a complete dichotomy of artistic vision and personal reality. A breathtaking fusion of poetry, ethnography, and cinema, Sergei Parajanov’s masterwork overflows with unforgettable images and sounds. S oviet director Sergei Parajanov offers a helpful word of warning in the opening scroll from The Color of Pomegranates, his 1968 film about 18th-century Armenian poet and singer Sayat-Nova.“This film is not the story of a poet’s life,” the text reads. The film shows the unique world of artist Sergei Parajanov, whose brilliant images in films and collages aroused the suspicion of Soviet authorities.
- New interview with Steffen detailing the production of the film - SERGEI PARAJANOV: THE REBEL, a 2003 documentary about the filmmaker, featuring him and actor Sofiko Chiaureli - THE LIFE OF SAYAT-NOVA, a 1977 documentary about the Armenian poet who inspired THE COLOR OF POMEGRANATES - New English subtitle translation On a hot day, Parajanov labored with shirtless convicts and noticed an inmate’s shoulder tattoo of La Gioconda. “Instead, the filmmaker has attempted to recreate the world of a poet—the modulation of his soul, his passions, and his torments.” In the following interview, which took place during the summer of 2006, Mansurian offers a unique point of inquiry to Parajanov’s creative world as well as his magnum opus. In another interview, he reveals one of his masterpieces’ comical origins. ";s:7:"keyword";s:26:"sergei parajanov interview";s:5:"links";s:912:"Ratatouille Recette Au Four,
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